Tuesday, October 15, 2019


This is a melodious and jazzy modern shuffle written for a young, developing ensemble. This chart is well-suited for middle school jazz bands and/or a high school group.

The score and parts for Thataway are available on Sheet Music Plus!

Scored for Trumpets 1, 2, 3, Flute, Clarinet, Alto Sax 1 & 2, Tenor Sax 1 & 2, Baritone Sax, Trombones 1 & 2, Piano, Bass, Drums, Guitar.

The shuffle feel gives this tune a sophisticated and modern sound.  Once your players get to know the interplay of the lines they will dig in and have a great time.

The chart can open up for solos (as many as you need or want: trumpet, alto, tenor, piano, guitar) - while there's no "written" solos (chord changes only), players can listen to the recorded solo to get some ideas for an approach to soloing over the chord changes, which move along pretty easy.

Monday, June 17, 2019

I Believe In Dog

"I Believe In Dog" is a symphonic work scored for full orchestra - the music is underscore for my poem/narration, "I Believe In Dog" - the score and parts/poem are now available on Sheet Music Plushttps://www.sheetmusicplus.com/title/i-believe-in-dog-digital-sheet-music/21322551?ac=1

Bella was a loving member of our family for almost 16 years.  She lived a long and happy life. She was by my side in my studio for many music scoring projects - kept me company and made sure I took lots of breaks to get outside and enjoy the outdoors!  All dogs (and cats) deserve loving homes.  It's my hope that "I Believe In Dog" can be performed and used to raise awareness and resources for organizations that foster and care for dogs and cats in order to find them homes.

Bella with "Dead Cow" - she'd shake that stuffed thing but never broke DC after over a decade!
Score excerpt from "I Believe In Dog" for Full Orchestra and Poem Reader/Narrator

Sunday, June 09, 2019

Halie Loren in Bandon Oregon

Bandon, Oregon - Halie Loren band/family
Pictured from left to right are: Rob Birdwell, Matt Treder, Sean Peterson, Halie Loren, and Larry Smith.
Had the great honor to join Halie Loren and band for a performance at the Sprague Community Theater in Bandon, Oregon on June 7, 2019. Incredible audience and such a nice venue. The band this night was:

  • Halie Loren - vocals, piano, ukulele 
  • Matt Treder - piano, rhodes, vocals
  • Sean Peterson - bass
  • John Raden - drums, percussion
  • Rob Birdwell - trumpet, flugelhorn
The first time I had the privilege to record some trumpet/flugelhorn solos in the studio with Halie I was thrilled and even a bit nervous as I didn't know what to expect or how she worked. I'd heard her previous work so I knew the quality of the performances and production were of the highest standard. Some studio sessions are better than others for sure.  Most of my experiences in the studio have been fun and enjoyable but there have been a couple that were absolute train wrecks for a variety of reasons.  Fortunately, every recording session with Halie and band have been the best of the best! 

First of all, Halie was running the console and doing the recording engineering herself, along with her long-time musical director/pianist extraordinaire, Matt Treder.  Both of them knew what they wanted but also kept things loose and in the moment - it's jazz after all!

Check out Halie's latest album, From the Wild Sky, which features her original material. As with all her recordings, this one is carefully crafted and features her exquisite songwriting and performances.

Saturday, June 01, 2019

Scores and Parts for Rob Birdwell's Original Tunes

Been busy working on new music, gigging and enjoying life! I'm in the process of migrating my scores/parts for my original and public domain works to Sheet Music Plus!

The Sheet Music Plus service is a good fit for me, will save me time (more time for music!), and will hopefully expose my composing/arranging work (and even some of my songs!) to a much wider audience!

St. James Infirmary Blues is one of my arrangements now on Sheet Music Plus - it's a public domain song so I can make it available!  Enjoy the amazing Katie Smith's fabulous performance as well as that of everyone in the Corvallis-OSU Symphony!

I have several other derived work "arrangements" - making those available is much more complex.  There are some incredible publishers and rights organizations out there - but getting licensing for an orchestral arrangement is expensive folks - the best offers I've had offer a 12.5% markup price if I'm selling - that's actually good, but I have yet to sign any paper work for that deal.  The WORST are the offers (and I won't dignify them with even mentioning names) for an "arranger license" of around $400 or more!  That wouldn't even include any costs for the score or parts.  I've had to turn down MULTIPLE requests from some GREAT orchestras because I simply don't have the rights.

So yea, I get it.  Intellectual property, and all that jazz.  It's important.  I've been threatened with infringement fees in the past, but hopefully never again.  The "arranger license" fees will pretty much mean there's no way any of my 3 to 5 minute arrangements of other authors' songs will ever be heard in a public venue again!  Well, not unless something changes or there's some sort of reasonable solution that has an economy of scale suitable for the small-town arranger and local orchestra.

I do like the 12.5% markup idea.  Wouldn't it be great to write an arrangement of a cool tune, make the score/parts available for $50 bucks and send $6.25 of any sales to the publisher/rights holder?  Ah, if only it were that simple!

I'm going to stick to writing/composing ORIGINAL music/songs/lyrics!  The pay may not be great but wow is it satisfying!

I've got some projects in the works that I'm excited about - these things always take time so check back soon!

Meanwhile, keep playing it pretty!


Wednesday, December 07, 2016

Letter to the US Electoral College Electors

The following is my letter/email the the United States Electoral College Electors via http://www.asktheelectors.org/ - I'm posting it here because a number of Electors' email accounts are simply being inundated and may never be received.  I may also append Electors' replies as a matter of record - some of them appear to be respectful, while not particularly promising.  Still, it's our right to speak out.  I personally believe that the pending election of Donald Trump to the office of President of the United States is a grave concern and worthy of employing all legal and proper methods for resisting before it can even begin.  -RB

* * *

President-elect Trump has demonstrated during the entire course of his campaign, throughout the debates, and throughout these brief post-election weeks that he is every bit the emotionally unstable, intellectually vacuous, racist, misogynistic, and textbook demagogue we've witnessed all along. It's naive to think he has any capacity to "change" or "rise to the job" of President of the United States.  Politicians of all parties - Republican, Democrat, Independent, Green, et al. - agree that a President Trump will be nothing short of a nightmare for our great nation.

President-elect Trump has no real interest in the people of this country.  This is demonstrated time and time again with his crass interactions with a free press, his disparaging statements towards women, the disabled, people of color, and his utter lack of humility. 

As a demagogue, Donald Trump acts solely for his own self-interests.  His plans to devastate our environment and natural resources, his unpredictable, mean-spirited and reactionary character, his propensity to promote ersatz subordinates to the highest levels of leadership - those and many more character flaws and patterns - all raise dire concerns for our nation’s welfare and are a recipe for an unprecedented political, economic, social, and environmental horror that must be wholly rejected before it can begin.

On behalf of all that is truly great about America, our democracy, our freedom, our precious environment, our national security, our children and future generations to come, our well-being and standing with the rest of the countries that we share this planet with, and for peace on this Earth - on behalf of all these and more - I and many, many others of all races, genders, political, social, economic, and religious beliefs implore you to cast a vote for a candidate other than Donald Trump.  It is a moral imperative that Donald Trump never be allowed to take the oath of President.

Thank you for your time and consideration, I appreciate and respect the role you serve in our electoral process.


​Rob Birdwell​

Monday, December 05, 2016

Musings on Energy Investments

If you were looking to make energy investments in your community/region, where would you want your money to go?

1 mile of oil pipeline: $5 million*
Maintenance costs: high
Environmental costs: major
Benefit to Humanity: short term at best, but at great risk to environment/climate

1 megawatt solar farm: $2.5 million (~5 acres)
Maintenance costs: low to moderate
Environmental costs: minor (debatable of course!)
Benefit to Humanity: a positive/renewable source of power for ~160 homes

1.5 megawatt wind turbine: $2 million
Maintenance costs: low to moderate
Environmental costs: minor (debatable of course!)
Benefit to Humanity: a positive/renewable source of power for power for ~400 homes

All of us alive today were born into a world of massive fossil fuel use, a primarily monolithic energy belief system, with deeply entrenched infrastructure and politics. We're all simultaneously beneficiaries and victims of fossil fuels.

Yet knowing what we know about climate change, the toxic effect of fossil fuels on our environment, impact on indigenous peoples and their lands so often appropriated for pathways for infrastructure, and the impact on the health of human and animal life, shouldn't we demand of our governments, corporations, and financial institutions to offer up better energy choices for all generations and particularly the generations to come?
  • https://www.purdue.edu/discoverypark/energy/assets/pdfs/energy-camp-presentations/Students%20project%20presentation_Wind%20Energy_Bohr%20group.pdf
  • http://www.culturechange.org/wind.htm
  • http://www.seia.org/about/solar-energy/solar-faq/how-many-homes-can-be-powered-1-megawatt-solar-energy
  • Various google searches on Solar, Wind, and Oil Pipelines.
  • *The cost of a mile of oil pipeline referenced here is an estimate - one source equated it to approximately the same as the cost of a 1-mile stretch of two-lane highway. Assuming, the published cost of the Dakota Access Pipeline is around $3.7 billion and it was planned to be about 1170 miles, that would be roughly $3.16 million dollars per mile. But this source in 2014 estimates closer to $5 million per mile as there are clearly a myriad of aggregate costs involved. Seldom does anyone build just a mile of oil pipeline.
  • Perhaps the most interesting part of all this is a that in the city of Bruges in Belgium a brewer has built a Beer Pipeline: http://money.cnn.com/2016/09/19/news/beer-pipeline-bruges-belgium/ at great benefit to humanity! :)

Friday, February 19, 2016

Corvallis-OSU Symphony Final Frontier Concert 2016

Corvallis-OSU Symphony Orchestra - Final Frontier concert poster 2016
I have the honor, once again, to be part of another great Corvallis-OSU Symphony concert on Sunday, February 28, 2016 at 3pm at LaSells Stewart Center.  For more information and tickets, visit the Corvallis-OSU Symphony web site.

I'll be guest-conducting the following works:

Star Wars Medley - music by John Williams
Flying Theme from E.T. - music by John Williams 
Star Trek Through The Years - music by Alexander Courage, Jerry Goldsmith, et al.
Space Oddity - words and music by David Bowie, arranged by Rob Birdwell; featured vocalist: Marc Callahan
A Brave and Startling Truth - poem by Maya Angelou, music by Rob Birdwell; featured poetry reader: Shelley Moon

Other works to be performed and conducted by Corvallis-OSU Symphony music director Marlan Carlson include:

Am I excited?  Way beyond that!  There's a tremendous amount of talent on and off stage - professional musicians, teachers, extraordinary students, and pro-level community players comprise this orchestra.  A hard working symphony board and masterful music direction by Marlan Carlson make this, like so many other concerts, a one-of-a-kind event.

Corvallis-OSU Symphony
It's an honor to be able to "play" (as conducting is my instrument for this gig) with such talented musicians.  As usual, I'm humbled but soaking in the experience and always learning new things.  The 30 minutes or so that I'll spend on the stand during the performance imploring musical expression out of the orchestra for my selections - and flowing along a good deal of the way too - won't compare to the hours/days/nights of preparation, dreaming, scoring, communicating, persuading, doubting, and hoping.  That's true with just about everything though - probably why I like watching those "making of" documentaries of films or music as much (if not more) than the finished product.  

Dr. Marlan CarlsonMarc Callahan
Marlan Carlson and I were chatting in his office in early December 2015 about the possibility and logistics of adding David Bowie's Space Oddity to the program, preferably with an operatic baritone singer. To my delight he said he knew just the singer.  I followed him from his office as he speedily lead the way to the studio of Marc Callahan.  Marlan asked Marc of his availability, introduced me, and then I mentioned the Bowie song; Marc took maybe 20 seconds to stew this idea around before he said, "why not?" and just like that a new arrangement, song, and performer were slated for the concert! It's been a joy getting to know Marc and his exceptional vocal talents.  I can't wait for him to unleash that thunderous voice of his on this song - it is musically and emotionally fitting that a wondrous voice and talent such as his will be performing it.  Coming in the shadow of David Bowie's recent passing makes it all the more poignant.  I'd been scoring the arrangement of Space Oddity and completely immersed in all things Bowie for several weeks when I heard the sad news.  The gift of Bowie's Blackstar album and the stories from his collaborators shed light on his relentless artistry despite what he was facing.  Can't get much more final frontier than that.

Shelley MoonThere are always pleasant surprises and happy accidents when putting together any music, program, show or concert - getting to know poet, author, and storyteller Shelley Moon is certainly one, and Maya Angelou's poem "A Brave and Startling Truth" is another.  The concept of the "final frontier" theme is clear in every line of Dr. Angelou's poem - written in 1995 in honor of the 50th anniversary of the United Nations - and Shelley Moon's reading of it will be a gift for all as she lends her artistic voice and life experience to every word, phrase, and meaning in the poem.  As Maya Angelou so eloquently states, "We are the miraculous, the true wonder of this world " - that's final frontier stuff all the way.

Rob Birdwell
Shelley Moon's reading of "A Brave and Startling Truth" will be underscored by my original music inspired by Maya Angelou's words and message.  It's an experiment and there's always risk in this sort of thing but I'm grateful for this collaboration and opportunity. 

And finally, don't even get me started on the Theremin and all that I learned about that instrument and its inventor over these past couple months!  More on that later - hopefully much more!

Rob Birdwell